John Milton
Paradise Lost · Book X
“Did I request thee, Maker, from my clay To mould me Man, did I solicit thee From darkness to promote me?”
Research programme
How textual relations can be represented, retrieved, judged, and explored when their surface evidence changes.
Doctoral research
My doctoral research examines how textual relations can be represented, retrieved, judged, and explored when surface similarity is weakened through paraphrase, adaptation, obfuscation, allusion, historical variation, and other forms of textual change.
The work combines information retrieval, language modelling, benchmark construction, evaluation, and visual analytics to support analysis across large textual collections.
Research architecture
The stages form a trajectory from representing an unstable relation to interpreting the evidence around it.
Source and target passages enter the pipeline as texts situated in context.
Within REPRESENT: Computational representations for relations that persist across paraphrase, adaptation, obfuscation, allusion, historical variation, and related transformations.Source and target passages enter the pipeline as texts situated in context.
Source and target passages enter the pipeline as texts situated in context.
Texts become computational representations that preserve signals relevant to relation.
Retrieval narrows a large collection to passages that may warrant comparison.
Candidate relations are ordered for closer assessment rather than treated as equivalent.
Judgement returns to the textual evidence that supports or complicates a relation.
The resulting evidence can be explored across a corpus and returned to close reading.
Intertextual transformation · demonstration
Milton and Shelley are the historical anchors; intermediate stages are constructed to illustrate changing recognition conditions.
Paradise Lost · Book X
“Did I request thee, Maker, from my clay To mould me Man, did I solicit thee From darkness to promote me?”
Milton quotation
“Did I request thee, Maker, from my clay To mould me Man, did I solicit thee From darkness to promote me?”
“Did I request thee, Maker, from my clay To mould me Man, did I solicit thee From darkness to promote me?”
The relationship is easy to recognise because Milton’s wording is still present.
“I never asked my creator to make me or to bring me into life.”
The same roles remain, although characteristic words have been replaced.
“A created being confronts the one who gave it life and questions an existence imposed without consent.”
The situation survives, but its wording and structure have been reorganised.
“Existence became an obligation before assent was possible, leaving its origin as the object of accusation.”
The people and act of creation are no longer named directly; the relation must be reconstructed from dispersed clues.
“I ought to be thy Adam, but I am rather the fallen angel...”
Recognition now depends on literary knowledge: Adam and the fallen angel reconnect Shelley’s creature to Milton’s creation narrative.
What still connects them
Relation persistsThe relationship is easy to recognise because Milton’s wording is still present.
The fuller model separates conceptual roles and the evidence used to connect them.
Upcoming engagement · 28 Sep–2 Oct 2026
Accepted participant in From Data Acquisition to Data Publication: Quality Control, Tool Assessment, and Methodological Challenges in Digital History.
Completed research experience · Apr–Jul 2026
Completed a research secondment examining how natural-language instructions are preserved or altered as they pass through conversational interpretation, planning, tool use, and robotic action.